(Ad)Dressing film history: Film and Fashion amidst the Ruins of Berlin / Film, Fashion and the 1960s oleh Bianka-Isabell Scharmann

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Re-presenting histories: Documentary film and architectural ruins in Brutality in Stone oleh Frances Guerin

"…This article rereads Alexander Kluge and Peter Schamoni’s short film Brutality in Stone (1961) in light of more contemporary scholarly interest in the architectural ruin. …"
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"Film and Fashion amidst the Ruins of Berlin: From Nazism to the Cold War, by Mila Ganeva" oleh Boel Ulfsdotter

"…In particular, the study would have benefitted from a short introduction of the “rubble film” (films set in a city or landscape of ruins), preferably based on Robert Shandley’s study, which is also referenced in the book’s bibliography. …"
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“First they bomb as much as they please, then they film”: The Politics of War Ruins in Two Vietnam War Documentaries oleh Zachary Baqué

"…In 1965, the Department of Defense released Why Viet-Nam, a propaganda documentary aimed at justifying the involvement of US troops in Vietnam. The film opens on images of (unidentified) destruction and ruins as the voice of President Johnson begins to answer the question raised by its title. …"
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Cinecartografando as imagens de filmes do circuito de mostras ambientais brasileiras: mergulhos entre paisagens, ecologias, artes e Antropoceno oleh Keyme Gomes Lourenço, Thaís Barros Pimenta

"…This article, of a theoretical, narrative and experimental nature, aims to offer a cinecartography of the short films Fogo contra Fogo (2021) and Paisagens brasis em brasa (2021), both screened respectively at the Brazilian festivals of environmental and climate themes, “13th Strangloscope – International Exhibition of Audio, Video / Film and Experimental Performance” and “III Latin American Exhibition of Art and Environmental Education” in the year 2021. …"
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Saving Private Ryan (Spielberg, 1998) as a Post-Vietnam War Film in Search of Moral Legibility oleh Mehdi Achouche

"…War ruins convey the quasi-postapocalyptic setting of the film, with a group of soldiers crossing a moral wasteland where savagery is the only way to survive. …"
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Musicking Poulenc’s ruins in Stellenbosch oleh Marietjie Pauw

"…The article analyses aspects of films by Aryan Kaganof (2016) that responded to the ‘Roesdorp’ performance and suggests that the films manifest as Rancière-ian ‘aesthetics as politics’: they expose and intertwine layers of complicity, critique, confusion and care. …"
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Musicking Poulenc’s ruins in Stellenbosch oleh Marietjie Pauw

"…The article analyses aspects of films by Aryan Kaganof (2016) that responded to the ‘Roesdorp’ performance and suggests that the films manifest as Rancière-ian ‘aesthetics as politics’: they expose and intertwine layers of complicity, critique, confusion and care. …"
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De Falkenau aux ruines de Verboten! (1959), les dialectiques formelles de Samuel Fuller oleh Vincent Souladié

"…This is particularly the case in the opening sequence of his WW2 film Verboten! (1959). Set among the ruins of a German city, it is Fuller’s first film dealing with his memories of the war, the liberation and the discovery of the concentration camps.…"
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Des friches et des ruines oleh Danièle Méaux

"…While they highlight an economic crisis with serious social repercussions, they also attract film-makers or photographers who like to display the ruins, aestheticising the fragmented forms and tatty textures. …"
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Claroscura Representation: An Audio-visual and Theoretical Exploration of the Representation of the Past Through Documentary Filmmaking oleh Gerrit Stollbrock Trujillo

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La Beauté tragique: Olkowski, Deleuze, and the ‘Ruin of Representation’ oleh Joseph Nechvatal

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‘Not Months but Moments’: Ephemerality, Monumentality, and the Pavilion in Ruins oleh Ihor Junyk

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On disaster ruins: review of Le Roy F., Wynants N., Hoens D., Vanderbeeken R. (Eds.) (2011), Tickle Your Catastrophe!: Imagining Catastrophe in Art, Architecture and Philosophy (St... oleh Maria Bostenaru Dan

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Une spatialité anti-moderne des ruines post-apocalyptiques. La figuration du rapport à l’environnement du film I Am Legend oleh Nathanaël Wadbled

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Dependent Discrete Risk Processes - Calculation of the Probability of Ruin oleh Stanisław Heilpern

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Capriccio all’antica. Shaping the Ruin in the Age of Enlightenment oleh Cosmin Ungureanu

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Kriss Ravetto-Biagioli (2017) Mythopoetic Cinema: On the Ruins of European Cinema oleh James Harvey

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‘The resonance of ruins and the question of history’: Southeast Asia in Ruins: Art and Empire in the Early 19th Century, by Sarah Tiffin, Singapore: NUS Press, 2016, oleh Anna Blair

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The Relationship between Film and History in Early German Postwar Cinema oleh Groß, Bernhard

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