Dérives dans le Raval oleh Jacques Terrasa

"…In between, in the center of the film, lays all the loneliness and misery of the left behind by a world eager for speculation, shown by the wandering of Antonio – the ancient sailor – in the ruins of the deserted Raval. …"
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Patrick Keiller and „the problem of London” oleh Artur Piskorz

"…They are sites in which events might take place, and the events are seen rather as possible contemporary myths. Keiller’s film essays explore the notions of place, the production of space, the workings of memory and the feeling of nostalgia. …"
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Tempo e spazio : cinema e identità nazionale oleh Lorenza Fonzari

"…The aim of this study is to investigate the categories of space and time in Italian neo-realist films. Italy entered badly damaged and fragmented into the post war period where it was necessary to reconstruct the jumbled social realities by focusing on the city space, which was still half-covered by the war ruins. …"
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Baltimore in The Wire and Los Angeles in The Shield: Urban Landscapes in American Drama Series oleh Alberto N. García

"…Therefore, this article will focus on how The Wire and The Shield (and some of their TV heirs, such as Southland and Justified) reflect and renew several topics related to the city in the film noir tradition: the sociopolitical effects of showing the ruins of the centripetal industrial metropolis, the inferences of filming in actual places, the dramatic presence of what Augé coined as “no-places”, the bachelardian opposition between home and city, or the streets as an urban jungle where danger lurks in every corner.…"
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Archival Hauntings in the Revenant Narratives from Home in Péter Forgács’s Private Hungary oleh Kamil Lipiński

"…The project’s found footage films employ re-personalize film form, re-writing forgotten archival stories over a backdrop of the grand récits (and national upheavals) of the Holocaust and ‘goulash’ communism. …"
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Video-testamento: come promuovere arte, teatro e territorio. Il caso di Gibellina / The video-testament: how to promote art, theatre and territory. The case of Gibellina oleh Valentina Garavaglia

"…We cannot speak of Gibellina without addressing the idea of time, of memory and of their effects on the present and the future, of its relation to man confronted with ruins. More precisely, with the ruins left by the earthquake that struck the towns that had for centuries stood in the Belice Valley during the night between January 14 and 15, 1968. …"
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Spoke, liefde en geslagsgebaseerde geweld in “Die bouval op Wilgerdal” oleh Mariëtte van Graan

"…There is currently a lack of research regarding gender-based violence portrayed in Afrikaans ghost stories in literature as well as in film and television. Alongside the acknowledged forms of gender-based violence (physical and non-physical abuse), I argue that an additional level of violence, namely psychic violence, is used in the ghost story to amplify the horror and impact of gender-based violence. …"
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Cartografía de las ruinas: sitios de memoria del punk chileno en tres documentos audiovisuales oleh Macarena Urzúa Opazo

"…Therefore, it can be seen how a ruin’s cartography has been built once this past is revisited from their present’s perspective. …"
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Pabellón Deshabitado oleh Estudio República Portátil

"…Deshabitado, developed as a story and short film focused on the fantastic genre, is the account of an empty city in ruins. …"
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A Cidade Depois: Sobre Detropia oleh José Duarte

"…Thus, the documentary films spaces that used to be magnificent, but are now representations of absence and presence, but also of faith because of its inhabitants. …"
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Gingerbread with Fruit Filling: Preservation Factor Assessment oleh Kondratev N., Fedorko K., Krylova E., Pesterev M., Osipov M.

"…The samples were packed in a 40-micron polypropylene film. During storage, the mass fraction of moisture and water activity may change in various parts of the product, which can lead to their molding. …"
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Apocalissi e rovine: <i>The Road</i> di Cormac McCarthy e <i>In the mood for love</i> di Wong KarWai oleh Elisabetta Trincherini

"…This comparative approach aims to connect two seemingly different plots: the novel is apocalyptic science fiction, the film a love story. The common ground between the two pieces and the connection point to dwell upon, however, is the contemplation of ruin: lingering on the contemplation of the downfall, in both works diverts from the core of their narrative. …"
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Dangerous Playgrounds: Hemispheric Imaginaries and Domestic Insecurity in Contemporary US Tourism Narratives oleh Daniel Lanza Rivers

"…By reading these narrative negotiations in relation to the legacies of US American hemispheric interventionism, post-9/11 immigration policy, and US American travel narratives, this article unpacks the ways Jessica Abel’s critically acclaimed comic <em>La Perdida </em>(2006) and the films <em>Turistas </em>(2006), <em>Borderland </em>(2007), <em>The Ruins </em>(2008), and <em>Indigenous </em>(2014) create slippages in meaning that project anxieties about terrorism and domestic security onto Latinx bodies and Latin American nations through figurations of imperiled white femininity. …"
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The drawing of the sulphur landscape in Sicily: the mining site of Floristella-Grottacalda oleh Antonella Versaci, Alessio Cardaci

"…Its glorious past is today witnessed by the ruins of the abandoned plants and of the workers’ villages, only minimally reused. …"
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Blank Gaze and Vacant Skull—Cinema & Brain(s) & (Dis-)Affection in Recent Mindful and Mind-Related US Cinema oleh Betka, Benjamin

"…These phenomena give the project traction and focus. A certain kind of film theory might challenge traditional scholarly concepts of the mind but leads towards a fertile enunciation of the volatile and fragile (en-)trails of thought itself.It is a film theory that includes autopoietic psychological systems in the sense of Humberto Maturana and others which was formulated first and foremost by Gilles Deleuze in his two monographs on movement-images and time-images (2006, 2009).…"
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The Modern Gaze of Foreign Architects Travelling to Interwar Greece: Urban Planning, Archaeology, Aegean Culture, and Tourism oleh Emilia Athanassiou, Vasiliki Dima, Konstantinia Karali, Panayotis Tournikiotis

"…Their yet to become <i>tourist gaze</i> embraced the Aegean tradition, the Greek landscape and the ancient ruins as equal collocutors, initiating at the same time Greece itself into modernity. …"
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Zanim powstał „Pianista” Romana Polańskiego – „Robinson warszawski” (1945-1950) oleh Anna Synoradzka-Demadre

"… Autorka artykułu prezentuje historię powstawania filmu Robinson warszawski. Autorem pomysłu na film był Czesław Miłosz, który oparł go na rozmowach z pianistą Władysławem Szpilmanem i jego relacji z ukrywania się w ruinach Warszawy w czasie II wojny światowej. …"
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Memory and a Hard Place: Revisiting Central Havana oleh Marivic Wyndham, Peter Read

"…Manolo’s froze on the day he left: his filmed city is silent, immobile, full of ghosts, almost empty, ugly, ruined. …"
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Memory and a Hard Place: Revisiting Central Havana oleh Marivic Wyndham, Peter Read

"…Manolo’s froze on the day he left: his filmed city is silent, immobile, full of ghosts, almost empty, ugly, ruined. …"
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Enforcing Heterosexuality: Adapting Lillian Hellman’s ‘The Children’s Hour’ for the screen oleh Will Glass

"…The Motion Picture Production Code of 1930 banned homosexuality from the screen. This paper uses two films as a case study of the Code's impact on Hollywood's depiction of homosexuality. …"