Hasil Pencarian - "Steven Spielberg"

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    Man as Rescuer and Monster in Steven Spielberg's Film Text "Schindler's List" oleh José Díaz-Cuesta Galián

    Diterbitkan 2008-05-01
    "…This journal article addresses the confrontation between two extreme representations of man in Steven Spielberg’s Schindler’s List (1993): the rescuer and the monster. …"
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    Alien Invasions and Identity Crisis: Steven Spielberg’s The War of the Worlds (2005) oleh Carrasco Carrasco, Rocío

    Diterbitkan 2016-11-01
    "…A fervent need to defend the nation from the malevolent strangers is combined with an alienation of the self in the search of individual salvation or survival.The present analysis will attempt to illustrate how threats to configurations of power are employed in a contemporary alien invasion film: The War of the Worlds (Steven Spielberg, 2005). Specifically, the film takes the narrative of destruction to suggest the destabilisation of US national power within the context of post September 11, together with a subtle disruption of the gender and sexual status quo. …"
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    Identity integration in Steven Spielberg's Catch Me If You Can (2002) oleh Rizky Apriyanto

    Diterbitkan 2022-02-01
    "… The purpose of this paper is to examine the four types of identity integration and the affection to the main character in Steven Spielberg's film Catch Me If You Can (2002). It elucidates the psychological illness that led to the main character's multiple identities in the film. …"
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    “Inspired by real events”—Media (and) Memory in Steven Spielberg’s MUNICH (2005) oleh Thomas Nachreiner

    Diterbitkan 2016-02-01
    "…Steven Spielberg’s 2005 film Munich tells the story of an Israeli counter-terrorist team in the aftermath of the hijacking and massacre at the Olympic Games in 1972. …"
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    Narrativa cinematográfica: funciones y recursos de Steven Spielberg como director oleh David Caldevilla Domínguez

    Diterbitkan 2002-12-01
    "… Quizá uno de los ciudadanos individuales más influyentes de nuestra época, Steven Spielberg ha construido su reputación sobre lo que se entiende como una combinación -idiosincrasia del cine comercial americano- de buen hacer técnico con guiones y mensajes comerciales. …"
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