Deconstructing Gilgul, Finding Identity oleh Hausmanninger, Thomas

Subjek: "…Marvel Comics…"
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Sean Howe: Niezwykła Historia Marvel Comics, Kraków 2013 oleh Mateusz Maleszka

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Captain America and fans' political activity oleh Forrest Phillips

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La sombra sobre Marvel: reescrituras del horror arquetípico en los cómics del Doctor Extraño. oleh Jorge Martín

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‘If You Prick Us Do We Not Bleed?’: Marvel Comics’ Vision: Director’s Cut Re-Evaluating What It Means to Be Human oleh Leah Henderson

Subjek: "…marvel comics…"
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El mito de la masculinidad y su evolución a lo largo del siglo XX en Marvel Comics oleh José Joaquín Rodríguez Moreno

Subjek: "…marvel comics…"
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Medium Specificities of The Strange Case of Dr Jekyll and Mr Hyde by Robert Louis Stevenson: Marvel Comic, Video Game, and Korean TV Drama oleh Edria Sandika

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"Ms. Marvel," Tumblr, and the industrial logics of identity in digital spaces oleh Christopher M. Cox

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Marvel Comics #1000: la traducción de denominaciones reales e imaginarias en los mundos ficticios superheroicos en la modalidad narrativa gráfica oleh Robert Szymyslik

Subjek: "…Marvel Comics…"
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Who is afraid of a black Spider(-Man)? oleh Ora C. McWilliams

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RESEÑA de : Howe, Sean: Marvel Comics: la historia jamás contada. Toroella de Montgrí, Panini, Girona, 2013. (Traducción de Santiago García). oleh Adexe Hernández Reyes

"…RESEÑA de : Howe, Sean: Marvel Comics: la historia jamás contada. Toroella de Montgrí, Panini, Girona, 2013. …"
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“Things are Complicated”: Paul Cornell at Marvel and DC oleh Jasper Schelstraete

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Now It’s My Time! Black Girls Finding Space and Place in Comic Books oleh Grace D. Gipson

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Of Auction Records and Non-Fungible Tokens: On the New Valences of Superhero Comics oleh Daniel Stein, Laura Désirée Haas, Anne Deckbar

"…This article examines a recent form of marketing superhero comics that has garnered extensive media attention and has been promoted as the next big step in comics production: the decision by companies like Marvel Comics and DC Comics to offer selections of their intellectual properties as <i>non-fungible tokens</i> (NFTs). …"
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…Comic Books, Möbius Strips, Philosophy and… oleh Ian Hornsby

"…This article examines three comic books, Silver Surfer #11 (Marvel Comics), Omega Men #9 (DC Comics) and Promethea #12 (Americas Best Comics), as philosophy in themselves, and not merely as supplements to philosophical texts or as a convenient form through which the complex ideas of philosophy can be elucidated. …"
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Gandhi: the Beast Within. An Anthropological Perspective of the Comic Book View of the Symbolic Figure of Gandhi oleh Víctor Luis Vélez García

"…The characters are based on the projection of an oversized image which respond to human traits which are mythologized. Hulk, the Marvel Comics Publishers character, stands out and it is used as a referee for the publication of the comic where Gandhi is parodied and caricaturized. …"
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Novel Forms of Rewriting Aristophanes’ Comedies: Comic Book Adaptations and Their Translations oleh Lingyu Li, Xiaoli Wang

"…The first chapter starts by stressing that Marvel Comics may use humor for branding purpose, considering that humor is something memorable that readers are instinctively willing to appreciate and share. …"
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Information as a Hulk: replacing Black Widow with information legislation oleh Shahin MAMMADRZALI

"…We may associate information with the Hulk – famous hero of Marvel Comics. The flow of information can be named as „information cycle” and it has ability to produce unkind impact over our lives that smash everything. …"
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DISCOURSE MARKER ANALYSIS IN AVENGERS: ENDGAME MOVIE oleh Ana Nisa Ussolichah, Arindi Indra, Hesti Dwi Rahayu, Atsani Wulansari

"…This research uses analytical methods taken from Avengers: Endgame movie, directed by Anthony Russo and Joe Russo.Avengers: Endgame movie is a 2019 American Superhero movie based on the Marvel Comics superhero team by Avengers. The data collected were analyzed using a qualitative descriptive method: the procedure data collection, data analysis, and presentation of the study results. …"
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From comics to cinema. Marvel's super-heroines (2000-2020) and educative models oleh Lisa Brambilla, Marialisa Rizzo, Gabriella Seveso

"…From 2000 to 2020, Marvel Cinematic Universe has brought to the cinema screens the transposition of the plots and some characters of the Marvel comics, conceived from the sixties, producing eighteen official films, some spin-offs, video games, gadgets and merchandising inspired by the movies and achieving international success among young and very young. …"
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