O "soft power" cinematográfico e o colonialismo em "Lagaan", "Princesa Mononoke" e "Avatar" oleh Cristiano André Hoppe Navarro, Hélio José Santos Maia

"…A partir daí, analisam-se os roteiros de três filmes identificados com a temática do colonialismo, quais sejam o indiano "Lagaan" (Gowariker, 2001), o japonês "Princesa Mononoke" (Miyazaki, 1997) e o estadunidense "Avatar" (Cameron, 2009). …"
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Gendered Representations in Eastern Cultural Production: Construct of the Indigenous Woman Gauri in Lagaan and the Impacts of Nationalism and Cultural Globalization on South Asian Womanhood oleh Hana Waisserová

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It’s Not [Just] Cricket: The Art and Politics of the Popular – Cultural Imperialism, ‘Sly Civility’ & Postcolonial Incorporation oleh Andrew Jones

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Dealing with Colonial Past oleh Antonina Łuszczykiewicz

"…Consequently, the author intends to enquire, how movies made after 2000 – among which Lagaan: Once Upon a Time in India (2001), Mangal Pandey: The Rising (2005), Water (2005) and Rang De Basanti (2006) are given special attention – deal with the difficult colonial past from an over 50-year-long perspective. …"
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Bollywood of India: Geopolitical Texts of Belonging and Difference and Narratives of Mistrust and Suspicion oleh Iqbal Shailo

"…This study examines three contemporary Indian films —Earth (Deepa Mehta, 1998), Lagaan (Ashutosh Gowariker, 2001) and Sarfarosh (John Matthew Matthan, 1999) — that explore sub-continental history with a particular focus on insecurity, mistrust and suspicion.  …"
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Representational Politics in Bollywood Sports Movies of the 21st Century: Empowering Women through Counter Cinema oleh Antara Mukherjee

"…In movies where the crux of the narrative rests on either a sport or a sporting event, as in Lagaan, Stumped, Jannat, Kai Po Che, Patiala House, M.S. …"
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