Prognosis End-Time: Madness and Prophecy in Melancholia and Take Shelter oleh Briohny Doyle

Subjek: "…Madness, Foucault, Apocalypse, Film, von Trier, Jeff Nichols…"
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L’île sur le fleuve dans Mud (Jeff Nichols, 2013) et Wild River (Elia Kazan, 1960) : Requiem contre le progrès ? oleh Sandra Gorgievski

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The Comprehensive Biomechanics and Load-Sharing of Semirigid PEEK and Semirigid Posterior Dynamic Stabilization Systems oleh D. K. Sengupta, Brandon Bucklen, Paul C. McAfee, Jeff Nichols, Raghavendra Angara, Saif Khalil

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Loving-Moonlight(ing): Cinema in the Breach oleh Eric Solomon

"…In this review essay, Eric Solomon places Loving (d. Jeff Nichols) alongside Moonlight (d. Barry Jenkins) as films inviting viewers to enter the breach and break expectations of received narrative form and cultural understanding.…"
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Singularity and the Open-Ended Crisis oleh Gyuris Norbert

"…The argument develops a theory of the singular crisis whose instances are demonstrated and proved by the American thriller, Take Shelter (2011, Jeff Nichols). The applied concept of crisis is based on the argument that any critical period is treated by models derived from earlier crises. …"
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La persona de Matthew McConaughey au début des années 2010 : masculinité, hétérosexualité et blanchité liquides oleh Maureen Lepers

"…Using the tools of gender studies, star studies and critical white studies, it looks at four parameters – gender, sexual orientation, class and race – in four of McConaughey’s characters of the last decade: Magic Mike’s stripper Dallas (Steven Soderbergh, 2012), Killer Joe’s killer Ward (William Friedkin, 2012), the lonesome Mud in the movie of the same name (Jeff Nichols, 2012), and Rust, True Detective’s tortured but brilliant detective. …"
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