Hedda Gabler oleh Roland Lysell

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A defence of Tesman: historiography in Hedda Gabler oleh Irina Ruppo Malone

Subjek: "…Hedda Gabler…"
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La suggestiva "Hedda Gabler" di Antonio Calenda oleh Angela Falco

"…The Ibsenian text – in Calenda’s staging – is haunted by an incestuous ghost between Hedda and her father, the General Gabler, which – in the past – stopped her love to Løvborg, and – in the present – stops her marriage with Tesman (Hedda accepts to marry Tesman, but she keeps her maiden name (Hedda Gabler, not Hedda Tesman).…"
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Postcolonial Ibsen: Judith Thompson’s Hedda Gabler (1991) oleh Penny Farfan

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Imagining Hedda Gabler: Munch and Ibsen on Art and Modern Life oleh Kristin Gjesdal

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Qui est Eilert Løvborg, le personnage d’Ibsen dans Hedda Gabler ? oleh Selim Lander

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O “EU” MÚLTIPLO, CONTRADITÓRIO E EM CONSTANTE PROCESSO EM HEDDA GABLER (1890) oleh Saray do Rocio Chila Meira

LOVE AFFAIR REFLECTED AT HENRIK IBSEN’S HEDDA GABLER PLAY (1890); AN INDIVIDUAL PSYCHOLOGICAL APPROACH oleh Maya Berlian Primadani, Dewi Candraningrum, Titis Setyabudi

"…The present study investigates love affair in Henrik Ibsen’s Hedda Gabler. This was library research of which primary data source was Hedda Gabler play supported by other resources such as the author’s biography. …"
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Det provoserende svangerskapet i Henrik Ibsens <i>Hedda Gabler</i> - Et spørsmålstegn ved traderte sannheter oleh Ane Hoel

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Cultural Assimilation: Two Ibsenian Women in Traditional Chinese <i>Yue</i> Opera oleh Terry Siu-Han Yip

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<b>Brian Friel: the master playwright</b><br> oleh Martine Pelletier

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Brian Friel: the master playwright oleh Martine Pelletier

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The geography of consciousness in Ibsen's theatrical practice oleh Philip Larson

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Dances in the drawing-room: musical elements in Ibsen's dramas oleh Sofija Christensen

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Exile, Pistols, and Promised Lands: Ibsen and Israeli Modernist Writers oleh Irina Ruppo

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Effects of Chinese opera on the reproductions of Ibsen's plays oleh Miriam Leung Che LAU

"…The first one is a total transformation of Hedda Gabler into a Hangzhou yue opera form, Xin Bi Tian Gao (Aspirations Higher than the Sky, 心比天高) in 2006. …"
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Woody Allen - Henrik Ibsen. Hedda and her sisters - on women and space oleh Astrid Sæther

"…The purpose of this article is to relate Henrik Ibsen’s Hedda Gabler to Woody Allen’s Interiors with respect to their inquiry into women’s relation to power and art. …"
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Friendship versus love in Ibsen's dramas oleh Beret Wicklund

"…The article explores how friendships between men and women are presented in the dramas A Doll’s House, The Lady from the Sea, Rosmersholm and Hedda Gabler. Friendship is an important motive which functions to show women’s subordinate role in the bourgeois society in Ibsen’s time. …"
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Metateatralne finały Ibsena oleh Ewa Partyga

"…This article brings a comparative reading of the finales of three dramas by Henrik Ibsen: Rosmersholm (1886), Hedda Gabler (1890), and The Master Builder (1892). The metatheatrical techniques used by the dramatist in these three final scenes serve to problematize the situation of the onstage spectators and the theatrical audience with their varied interpretative strategies. …"
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Forms of Address in the Context of More Open Society. A Study of 20th Century Norwegian Dramas oleh Helena Anna Garczyńska

"…Since dramatic texts seem to be the most adequate material for this sort of research, because of the deictic expressions typical for spoken dialogue they contain (among others: pronouns and proper nouns), the material this research is based upon comes from selected dramatic texts written by such playwrights of the previous century as Henrik Ibsen (Hedda Gabler), Jens Bjørneboe (Til lykke med dagen, Tilfellet Torgersen, Dongery), Cecilie Løveid (Du, bli her!…"
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