Hasil Pencarian - "Franz Liszt"

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    Prométhée, op. 21 by Leopoldo Miguez: Considerations on the Symphonic Poem, Its Program and Sonata Form oleh Norton Dudeque

    Diterbitkan 2016-06-01
    "…Finally, it briefly discusses the changes to the sonata form introduced by Franz Liszt, as well as aspects of the composer’s musical language that suggest an influence by Richard Wagner’s music.…"
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    A Música Clássica como Elemento Narrativo Produtor de Sentido em Cartoons oleh Marina La Rocca Cóser, Rogério Ferrer Koff

    Diterbitkan 2013-08-01
    "…Ambos, de 1946, construídos sobre a “Rapsódia Húngara nº2”, de Franz Liszt, de 1847.…"
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  10. 50

    Bells of Nepomuceno: Intertextuality in Cloches de Noël oleh Thiago Plaça Teixeira

    Diterbitkan 2017-12-01
    "…The analysis demonstrates a stylistic affinity between Cloches de Noël and Franz Liszt’s religious pieces, mainly in what concerns four aspects: (1) explicit use of Gregorian melodies; (2) harmonization of melodies with the sole use of consonances; (3) extramusical and idiomatic reference to the sound of church bells and (4) a formal structure based on the insertion of musical episodes between sections of Gregorian transcription.…"
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    The 12th International Conference of Students of Systematic Musicology (SysMus19) oleh Rory Kirk, Zachary Bresler

    Diterbitkan 2020-04-01
    "…Klaus Frieler (Hochschule für Musik Franz Liszt, Weimar) and Dr. Helga de la Motte-Haber (Technische Universität Berlin), as well as workshops on different research tools and approaches, added to the depth and variety of the event. …"
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  12. 52

    A Hungarian Musician’s Memoir of Suffering, Survival, and Fate oleh Jeffrey Charles Wagner

    Diterbitkan 2023-09-01
    "…The author’s narrative in this article touches also on some of Bánhalmi’s accomplishments in life after surviving his time of forced labor: graduating with honors from Budapest’s famed Franz Liszt Academy; winning a top prize in the piano category in the 1956 Queen Elisabeth [of Belgium] Competition; concertizing in Eastern Europe and the United States; composing numerous musical works; and, and after settling in the United States in the wake of the Hungarian Revolution of 1956, teaching several generations of young people, including the author. jeffwagner@aol.com …"
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    System analysis as text analysis. Richard Wagner viewed from Cosima Wagner´s Diaries oleh Christian Kaden

    Diterbitkan 2016-05-01
    "…<p>Cosima Wagner, Franz Liszt’s illegitimate daughter, went down in history as the second wife of the great German composer Richard Wagner and as a leading advocate of his work after the death of the musician. …"
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  15. 55

    Prométhée, op. 21 de Leopoldo Miguez: considerações sobre o poema sinfônico, seu programa e a forma sonata oleh Norton Dudeque

    Diterbitkan 2016-03-01
    "…Considera-se também, de maneira breve, as modificações introduzidas por Franz Liszt nesta forma assim como aspectos da linguagem musical que sugerem uma influência, aceita por Miguez, da música de Richard Wagner.…"
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    Análise de uma análise: Tarasti e Liszt Analysis of an analysis: Tarasti on Liszt oleh Laura Rónai

    Diterbitkan 2012-06-01
    "…Em seu livro basilar, A Theory of Musical Semiotics, Eero Tarasti empreende a análise semiótica da obra para piano Vallée d'Obermann, do compositor Franz Liszt. Num processo de arguta arqueologia musical, o autor desvenda as várias camadas que colorem a escrita do compositor húngaro. …"
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  19. 59

    Music and the perception of the mountains through the symphonic poems of Liszt, Franck and Strauss oleh Adrià San José Plana, Jordi Martí-Henneberg, Justino Losada Gómez

    "…This is a process that began and was developed in Europe in the course of the 19th century.To do so, we propose a study of the symphonic poems entitled “Ce qu’on entend sur la montagne” by César Franck (1822-1890) and Franz Liszt (1811-1866), and “Eine Alpensinfonie”, by Richard Strauss (1864 – 1949). …"
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    Maxův cyklus Obrazových fantazií k hudebním skladbám oleh Aleš Filip

    Diterbitkan 2014-03-01
    "…Within the cycle, he connected his drawings with five piano sonatas by Ludwig van Beethoven, Lieder ohne Worte and oratory Christ by Felix Mendelssohn-Bartholdy, piano compositions by Franz Liszt, Robert Schumann etc. Max appreciated an emotive impact of instrumental music and aimed to achieve a similar effect through his drawings. …"
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