Time between Storytelling and Story-following: A Cognitive and Affective View of Christopher Nolan’s Dunkirk (2017) and Tenet (2020) oleh Djamila Houamdi

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El relato corto en el cine. Literatura en 3-D: ‘Memento' de Christopher Nolan (2000) oleh David Caldevilla Domínguez

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Tra essere e agire. I mille volti della paura nella trilogia di Batman di Christopher Nolan oleh Lorenza Di Francesco

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The fatality of scientific monomania oleh Rachel Smith

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Supervillanos muy reales: el uso político del villano en la trilogía de "El Caballero Oscuro" de Christopher Nolan oleh Alfonso M. Rodriguez de Austria Giménez de Aragón

"…El caso de la trilogía de El caballero oscuro de Christopher Nolan, que aquí analizamos, es representativo de esta tendencia por dos razones. …"
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De la bibliothèque au « Tesseract » : une représentation borgésienne de la littérature dans le film de Christopher Nolan Interstellar (2014)  oleh Emmanuel Buzay

"…The library of the character Murphy in Christopher Nolan’s film Interstellar (2014) is innovative in its staging of intertextual references, as well as integrating a four-dimensional media device: a “tesseract”. …"
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ВЗАЄМОЗВ’ЯЗОК ВІРИ ТА ІДЕОЛОГІЇ У КІНОТРИЛОГІЇ КРІСТОФЕРА НОЛАНА “THE DARK KNIGHTTRIOLIGY” / Interconnection of faith and ideology in christopher nolan’s triology “The dark knighttrioligy” oleh Стрільчик Богдан, Манчул Богдана

"…INTERCONNECTION OF FAITH AND IDEOLOGY IN CHRISTOPHER NOLAN’S TRIOLOGY “THE DARK KNIGHTTRIOLIGY. …"
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Desconfiar de la fotografía. oleh Teresa Sorolla Romero

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De Edipo a Orfeo. Narradores inestables, amnésicos y culpables en los mind-game films oleh Teresa Sorolla-Romero

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Repensar el aprendizaje de la memoria a partir del cine. De la reflexión teórica al análisis del film: Interstellar (Christopher Nolan, 2014) oleh Isabel Lincoln Strange Resendiz

"…El presente artículo hace una revisión breve en torno a los estudios académicos que reflexionan sobre esta cuestión para, a continuación, analizar cómo un texto, un filme como Interstellar (Christopher Nolan, 2014) tiene una carga ideológica e histórica. …"
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Doorways do not always cause forgetting: a multimodal investigation oleh Jessica McFadyen, Christopher Nolan, Ellen Pinocy, David Buteri, Oliver Baumann

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Adaptation of sequential action benefits from timing variability related to lateral basal ganglia circuitry oleh Lachlan A. Ferguson, Miriam Matamales, Christopher Nolan, Bernard W. Balleine, Jesus Bertran-Gonzalez

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Rodent scope: a user-configurable digital wireless telemetry system for freely behaving animals. oleh David Ball, Russell Kliese, Francois Windels, Christopher Nolan, Peter Stratton, Pankaj Sah, Janet Wiles

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El caso de Memento: una memoria nietzscheana en el cine postmoderno oleh A. Muñoz Corcuera

"…</p><p>Keywords: Memento, Christopher Nolan, Friedrich Nietzsche, On the Use and Abuse of History for Life, postmodern cinema.…"
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Shadows of the Bat oleh Born, Simon Philipp

"…This bipolar model is questioned in the Batman movies of Tim Burton and Christopher Nolan. Since his creation in 1939, Batman has blurred the line between black and white unlike any other classic comic book superhero. …"
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Olhar e memória na percepção cinematográfica oleh Susana Isabel Rainho Viegas

"…The present article has two main goals: in first place, to analyse both concepts of perception and memory in cinema on Maurice Merleau-Ponty's text, “Le Cinéma et la Nouvelle Psychologie”, and, in second place, to analyse the same concepts in Christopher Nolan's film, Memento. We will take as reference Merleau-Ponty's phenomenology of perception in order to understand the philosophical interest of this particular film.…"
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Hyper Attention Blockbusters oleh Steen Christiansen

"…Furthermore, I elaborate on this theory with a discussion of kinetics as an embodied sensation integral to blockbuster, drawing examples from Christopher Nolan’s Batman trilogy. …"
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Olhar e memória na percepção cinematográfica oleh Susana Isabel Rainho Viegas

"…O presente artigo tem dois objectivos: por um lado, o de analisar os conceitos de percepçáo e memória no cinema segundo a fenomenologia de Maurice Merleau-Ponty em “Le Cinéma et la Nouvelle Psychologie” e, por outro lado, o de analisar estes mesmos conceitos no filme de Christopher Nolan, Memento. A nossa principal referência será a fenomenologia da percepçáo em Merleau-Ponty de modo a melhor compreendermos o interesse fenomenológico do cinema e deste filme em particular.…"
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Constructing and Deconstructing the Modern Hero in The Dark Knight Trilogy oleh Göral Erinç Yılmaz, Serkan Fundalar

"…This article aims to reveal the various representations of modernity and postmodernity in Christopher Nolan’s Batman Begins (2005), The Dark Knight (2008) and The Dark Knight Rises (2012). …"
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Mainstream Complexity. Nolan’s Inception as a Case for (Amateur) Narratologists oleh Annie Van Den Oever

"…What do they imply for our theories and theorizing on a broader level? Christopher Nolan’s Inception (2010) will be used as a case study in order to draw out some of the implications of these new developments – i.e., what Jason Mittell described as the production of films and television series for “amateur nar- ratologists.” …"
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