“I’ll be next door if you need me”. Hotels as Male Refuge and Prison in "Barton Finklinidad en "Barton Fink" oleh Juan González Etxeberría

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“Receive with Simplicity Everything That Happens to You”: Schlemiel (Meta)Physics in the Coens’ A Serious Man oleh Krzysztof Majer

"…However, the Jewish characters functioned in an ethnically diverse setting and rarely took centre stage, with the notable exception of the eponymous struggling leftist playwright in Barton Fink. Nevertheless, even here the Jewishness seemed to be universalized into “humanity.” …"
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The Wandering Character in the Coen Brothers’ Films: When the Southern Gothic Meets the Western oleh Julie Assouly

"…Finally, what seems to be a specificity of the Coens’ films is the phenomenon of hybridization between Southern and Western cultures which became very clear in Barton Fink (1991) and resurfaced in No Country for Old Men and True Grit (2010), laying stress on the influence of Gothic and Southern grotesque subtexts in which the wanderer plays a prominent part. …"
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