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Between 1972 and 1982, Andrés Rivera pauses his publications and redefines his authorial poetics. From a previous organic mimesis, he moves towards an inorganic mimesis, combined with experimentation and autofiction. Politics and history are redefined in the way they are approached. The subjects that narrate their own experiences of social and political struggles are pushed to the forefront, so that writing and family romances are highlighted as spaces of resignification of diverse experiences. In dialogue with history and psychoanalysis, I reflect on Nada que perder, El verdugo en el umbral y La revolución es un sueño eterno.