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Despite the atheism of renowned abstract expressionist painter Mark Rothko, the artist was commissioned by Christians to create a sacred space that was originally intended to be used by religious believers: the Rothko Chapel in Houston, Texas. The project started out as a collaboration between Rothko and another atheist: famed architect Phillip Johnson, who designed several prominent religious spaces throughout his distinguished career. While Johnson removed himself from the Chapel project early on, Rothko would have carried his conceptual vision all the way to the end if it were not for his tragic suicide just prior to the Chapel’s completion. Using as a guide the criteria for sacred space set forth in the classic work <i>The Sacred and The Profane</i> by famed historian Mircea Eliade, I will consider the question of how a religious space designed by non-believers can be rightly considered sacred, as well as ways in which it falls short.