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In this article the author essays to remonstrate the widely spread characteristic of the poem as wholly eulogic and non-conceptional In the first part he argues Dryden to understand Cromwell`s glorification here as an intellectual task: it`s Dryden`s response at the challenge to the pictorial power of poetry by Cromwell`s “perfect fame”. In the second part the author reconstructs and examines the Cromwellian mythos, created by Dryden in “ Stanzas”, that interprets the initial contradiction. In the conclusion the author compares the Renaissance and classicistic concepts of the poetry`s purposes and instruments. He concludes, that Cromwell phenomenon as the poetical object, constructed by Dryden, contradicts the foundations of classicistic aesthetics.