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The success of manga in France during the past decade has also seen the development of a critical and historical discourse on the Japanese production. This text proposes to consider the treatment of the history of manga in reference books available in French, with a focus on its preconceived ideas. We will consider in particular the question of the origin, and of the central figure of Tezuka Osamu. We will then analyze the distorsions linked to the availability of certain works in French, be it the importance of an author such as Taniguchi Jirou, or the limited attention given to the alternative production that still remains rarely translated. We will also consider the vision of the manga industry in Japan, and how this vision is mostly built on the emblematic case of the Shônen Jump weekly magazine. Finally, we will observe how French publishers translate this vision in their editorial strategy.