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The following article enters into the question if and how three well-respected contemporary photographers – Carlos Goldgrub from Brasil, Gregory Crewdson from the USA and Thomas Struth from Germany – refer to the works of Walter Benjamin. The article tries to show that the Benjaminian idea of „aura“, especially in the essay A short History of Photography, can be found in some works of the photographers and that they reflect and thematize this concept in different creative ways. The suggestion is: These photographers tried to transfer and to realize the conception of „aura“ in some examples of their work.