Find in Library

In his latest novel Clade (2015), Australian author James Bradley portrays apocalyptic scenarios in the aftermath of the ubiquitous climate change that is affecting our planet, while following the human conflicts of three generations of the Leith family. And yet, this article argues that the novel privileges an optative mood instead of the traditional collective catastrophe of canonical eco-fiction. To do so, the article scrutinises some formal strategies of narrative empathy, such as character identification and multiple focalisation, which favour the reader’s emotional engagement. In the novel, vulnerable manifestations disclose a profound empathic orientation, addressing an ethics of care that implicates the reader affectively.