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This article considers &#8220;Kubla Khan&#8221; and the the Arab dream section from the fifth book <i>The Prelude</i> as precursors to the recently theorized concept of saturated phenomenality. Both Coleridge and Wordsworth insist on the limitedness of their dream subjects even as they magnify their dreamt of landscapes to heights of sublimity. Falke describes the implications that this insistence on smallness has for relating experiences of sublime landscapes to experiences of reading or writing poetry.