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Malayalam cinema is a vibrant creative space that post 1990s, underwent a transformation, leading to a proliferation of films, uniquely experimental in nature. An interesting perspective explored in detail was that of mortality, analysis of death from a microcosmic perspective. Evaluating death as an event in Deleuzian framework enables us to gain interesting insights and the film used for study here is Ee. Ma. Yau. (2018) which has a funeral foregrounded in the narrative. The paper traces the encounter with death in popular films, over time, to comprehend social discourses built around mortality in India, specifically in the southern state of Kerala in India.  Death and the social interventions in this context emerge as aspects significant for this study.