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This paper reads Esther David’s book Ahmedabad: City with a Past as a tropical flâneuse’s exploration of the city of Ahmadabad. To this end, the article draws from Baudelaire and Benjamin’s idea of the flâneur, and re-articulates this masculine and temperate character. Esther David, the decolonial tropical flâneuse, critiques neocolonialism, manifested through the nexus of capitalist globalization, rapid urbanization and consumerism that has drastically altered the face of the city. This is done mostly by bringing out Ahmedabad’s hybrid identity of an old heritage city and a modern metropolis. The paper further analyzes the flâneuse’s connection with the postcolonial identity of the city and her endeavour to extend flânerie to domestic interiors exploring their relationship vis-à-vis the city.