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The mural paintings of the church of Sant’Agostino della Cella in Sampierdarena are one of the most discussed but less known fresco cycles of the Genoese Middle Ages, dated in a very wide span of time, between the beginning of 12th and the end of the 13th century. This paper reconsiders them from the archaeological, iconographic and stylistic point of view: combining the data of current scientific investigations along with those supplied by some nineteenth-century documents (a report edited in 1882 and some drawings by Alfredo d'Andrade) they can be dated around 1280 and read in a new perspective.