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To a considerable extent, Romantic Orientalist literature is founded on scholasticism, authentication, quotation of antiquarian sources, in other words, on paratext. It constitutes in many respects an oxymoronic, though fascinating and dynamic, symbiosis of repetition / replication and creative imagination / invention. By focusing on Robert Southey’s art of quotation in his extraordinarily abundant notes to his orientalist narrative verse this essay seeks to establish paratext as an integral, formative aspect of Romantic Orientalism and Romantic-period poetics, illustrating the hybridity of the Romantic genius and Romantic poetic creation, and challenging common assumptions about a sublime, universal Romantic-period poetry.