Find in Library

The saga of Apu and Durga has been immortalized on celluloid by the pathbreaking film, Pather Panchali (1955), the first installment of Satyajit Ray’s cinematic bildungsroman, The Apu Trilogy, set in a remote village of Bengal. The portraits of the affectionate and dialectical relationship, which the brother and the sister shared, remain forever etched in the memory of the cinephiles. Apu’s metamorphosis into an adult over the course of the trilogy has been comprehensively scrutinized by film scholars and aficionados, but Durga has not enjoyed much critical spotlight. This paper examines the germination, evolution, and the trajectory of the adolescent sexuality of the teenage Durga, played by Uma Dasgupta, by dissecting her performative act in the film. The paper explores the construction of the image of Durga in the film and her place in the patriarchal ecosystem, arguing that Durga is in a constant process of negotiation with the patriarchal structure, occasionally entering and exiting the patriarchal domain to assert her sexuality: she defies patriarchal protocols yet sometimes gets subjugated by it. This process continues throughout the film, culminating in her death which could be interpreted as a metaphoric punishment she received for her assertion of her formidable sexuality.