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Olhar e memória na percepção cinematográfica
oleh: Susana Isabel Rainho Viegas
Format: | Article |
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Diterbitkan: | Universidade Federal do Rio Grande do Norte 2008-12-01 |
Deskripsi
The present article has two main goals: in first place, to analyse both concepts of perception and memory in cinema on Maurice Merleau-Ponty's text, “Le Cinéma et la Nouvelle Psychologie”, and, in second place, to analyse the same concepts in Christopher Nolan's film, Memento. We will take as reference Merleau-Ponty's phenomenology of perception in order to understand the philosophical interest of this particular film.