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The <i>asura&#8217;s</i> demise at the hands of the goddess is a theme frequently revisited in Hindu myth. It is the chronicle of a death foretold. So too is the <i>Bhadrakāḷīmāhātmya</i>, a sixteenth century regional purāṇa from Kerala, that narrates the tale of fierce goddess Bhadrakāḷī and her predestined triumph over <i>asura</i> king Dārika. Violence is ubiquitous in this narrative, which was designed with one goal in mind: glorifying the ultimate act of defeating the <i>asura</i> enemy. In its course the story exhibits many kinds of violence: self-harm, cosmic warfare, murder, etc. This paper argues that (1) violence comes to serve as a structural aspect in the text. Reappearing consistently at key moments in the narrative, violence both frames and structures the goddess&#8217;s tale. Yet, it is not only the violent act that dominates, it is its accompaniment by equal acts of regeneration that dictates the flow of the narrative, creating a pulsating course of endings and beginnings; (2) these cycles, that strategically occur throughout the narrative, come to serve as a Leitmotif referring to the cyclic tandem of destruction and regeneration that has dominated post-Vedic Hindu myth in many forms. The pulsating dynamic of death and revival thus becomes a specific narrative design that aims to embed the regional goddess within a grander framework of Time.