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What does it mean to correlate art and art history with “nation”? At the time of publication, the full impact and effects of the United Kingdom’s withdrawal from the European Union are just beginning to manifest. In this feature, we are interested in the art-historical, historiographic, curatorial, political, legal, creative, and other aspects of how Brexit impacts on art making and the study of art history in relation to Britain. In light of Brexit and its attendant nationalist politics, we also envisage this Conversation Piece to be part of an ongoing dialogue about what it means to conceptualise a national art history, which in Britain’s case encompasses its pre-colonial and colonial pasts and neoliberal global presents.