Hasil Pencarian - Melanie Wald-Fuhrmann

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  1. 1
    Elizabeth Hellmuth Margulis, On Repeat: How Music Plays the Mind, New York: Oxford University Press 2014

    Elizabeth Hellmuth Margulis, On Repeat: How Music Plays the Mind, New York: Oxford University Press 2014 oleh Melanie Wald-Fuhrmann

    Diterbitkan 2015-01-01
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  2. 2
    Commentary on: Aesthetic Experience Explained by the Affect-Space Framework by Schubert, North and Hargreaves

    Commentary on: Aesthetic Experience Explained by the Affect-Space Framework by Schubert, North and Hargreaves oleh Melanie Wald-Fuhrmann

    Diterbitkan 2017-04-01
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  3. 3
    You don’t know a person(’s taste) when you only know which genre they like: taste differences within five popular music genres based on sub-genres and sub-styles

    You don’t know a person(’s taste) when you only know which genre they like: taste differences within five popular music genres based on sub-genres and sub-styles oleh Anne Siebrasse, Melanie Wald-Fuhrmann

    Diterbitkan 2023-06-01
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  4. 4
    Editorial: Social Convergence in Times of Spatial Distancing: The Role of Music During the COVID-19 Pandemic

    Editorial: Social Convergence in Times of Spatial Distancing: The Role of Music During the COVID-19 Pandemic oleh Niels Chr. Hansen, Niels Chr. Hansen, Melanie Wald-Fuhrmann, Melanie Wald-Fuhrmann, Jane W. Davidson

    Diterbitkan 2022-05-01
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  5. 5
    Locus of emotion influences psychophysiological reactions to music.

    Locus of emotion influences psychophysiological reactions to music. oleh Julia Merrill, Diana Omigie, Melanie Wald-Fuhrmann

    Diterbitkan 2020-01-01
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  6. 6
    The role of audiovisual congruence in aesthetic appreciation of contemporary music and visual art

    The role of audiovisual congruence in aesthetic appreciation of contemporary music and visual art oleh Lauren Fink, Hannah Fiehn, Melanie Wald-Fuhrmann

    Diterbitkan 2024-09-01
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  7. 7
    In touch: Cardiac and respiratory patterns synchronize during ensemble singing with physical contact

    In touch: Cardiac and respiratory patterns synchronize during ensemble singing with physical contact oleh Elke B. Lange, Diana Omigie, Diana Omigie, Carlos Trenado, Viktor Müller, Melanie Wald-Fuhrmann, Melanie Wald-Fuhrmann, Julia Merrill, Julia Merrill

    Diterbitkan 2022-08-01
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  8. 8
    Perception of Nigerian Dùndún Talking Drum Performances as Speech-Like vs. Music-Like: The Role of Familiarity and Acoustic Cues

    Perception of Nigerian Dùndún Talking Drum Performances as Speech-Like vs. Music-Like: The Role of Familiarity and Acoustic Cues oleh Cecilia Durojaye, Cecilia Durojaye, Lauren Fink, Lauren Fink, Tina Roeske, Melanie Wald-Fuhrmann, Melanie Wald-Fuhrmann, Pauline Larrouy-Maestri, Pauline Larrouy-Maestri

    Diterbitkan 2021-05-01
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  9. 9
    Capturing differences in perception and aesthetic judgment of live or medially presented music: development of a self-report instrument

    Capturing differences in perception and aesthetic judgment of live or medially presented music: development of a self-report instrument oleh Larina Sue Meinel, Claudia Bullerjahn, Alexander Lindau, Melanie Wald-Fuhrmann

    Diterbitkan 2024-04-01
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  10. 10
    “He Who Sings, Prays Twice”? Singing in Roman Catholic Mass Leads to Spiritual and Social Experiences That Are Predicted by Religious and Musical Attitudes

    “He Who Sings, Prays Twice”? Singing in Roman Catholic Mass Leads to Spiritual and Social Experiences That Are Predicted by Religious and Musical Attitudes oleh Melanie Wald-Fuhrmann, Sven Boenneke, Thijs Vroegh, Klaus Peter Dannecker, Klaus Peter Dannecker

    Diterbitkan 2020-09-01
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  11. 11
    Atonal Music: Can Uncertainty Lead to Pleasure?

    Atonal Music: Can Uncertainty Lead to Pleasure? oleh Iris Mencke, Iris Mencke, Diana Omigie, Diana Omigie, Melanie Wald-Fuhrmann, Elvira Brattico

    Diterbitkan 2019-01-01
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  12. 12
    Synchrony in the periphery: inter-subject correlation of physiological responses during live music concerts

    Synchrony in the periphery: inter-subject correlation of physiological responses during live music concerts oleh Anna Czepiel, Lauren K. Fink, Lea T. Fink, Melanie Wald-Fuhrmann, Martin Tröndle, Julia Merrill

    Diterbitkan 2021-11-01
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  13. 13
    Physiological audience synchrony in classical concerts linked with listeners’ experiences and attitudes

    Physiological audience synchrony in classical concerts linked with listeners’ experiences and attitudes oleh Wolfgang Tschacher, Steven Greenwood, Christian Weining, Melanie Wald-Fuhrmann, Chandrasekhar Ramakrishnan, Christoph Seibert, Martin Tröndle

    Diterbitkan 2024-07-01
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  14. 14
    Audience synchronies in live concerts illustrate the embodiment of music experience

    Audience synchronies in live concerts illustrate the embodiment of music experience oleh Wolfgang Tschacher, Steven Greenwood, Sekhar Ramakrishnan, Martin Tröndle, Melanie Wald-Fuhrmann, Christoph Seibert, Christian Weining, Deborah Meier

    Diterbitkan 2023-10-01
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  15. 15
    Viral tunes: changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown

    Viral tunes: changes in musical behaviours and interest in coronamusic predict socio-emotional coping during COVID-19 lockdown oleh Lauren K. Fink, Lindsay A. Warrenburg, Claire Howlin, William M. Randall, Niels Chr. Hansen, Melanie Wald-Fuhrmann

    Diterbitkan 2021-07-01
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  16. 16
    Music Listening in Classical Concerts: Theory, Literature Review, and Research Program

    Music Listening in Classical Concerts: Theory, Literature Review, and Research Program oleh Melanie Wald-Fuhrmann, Hauke Egermann, Anna Czepiel, Katherine O’Neill, Christian Weining, Deborah Meier, Wolfgang Tschacher, Folkert Uhde, Jutta Toelle, Jutta Toelle, Martin Tröndle

    Diterbitkan 2021-04-01
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